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Weinstein backed down with a compromise: He kicked the movie down to the companyвЂ™s independent arm, Radius. Meanwhile, news of the conflict had leaked to the press, rallying cinephiles and the filmвЂ™s stars, including John Hurt and Tilda Swinton, who wanted to see BongвЂ™s version preserved. The distribution contract allowed him to show the original version to another test audience in Pasadena, California, where it played to much higher scores. If it had come down to it, and WeinsteinвЂ™s cut been released, Bong says he would have taken his name off the movie. вЂњIf this was someone elseвЂ™s movie and you were making a documentary of the situation, it would be really funny. вЂњThe whole thing was like a black comedy,вЂќ he continues. вЂњBut Weinstein comes out and goes, вЂBong! Yeah, the score is very bad. вЂњOn the inside, I was happy that the scores were bad,вЂќ he says. And indeed, with so much of the dialogue excised, viewers felt lost and gave the film low marks. Bong thought for sure the reaction scores would vindicate him. Weinstein showed his edit to a test audience of about 250 in Paramus, New Jersey, at a giant multiplex that reminded Bong of Kevin SmithвЂ™s Mallrats. Still, the disagreement dragged on for months. вЂњI said, вЂThank you,вЂ™вЂќ Bong says, laughing. Weinstein relents immediately: вЂњYou should have said something earlier, Bong! Family is the most important. вЂњI had a headache in that moment: What do I do?В So suddenly, I said, вЂHarvey, this shot means something to me.вЂ™вЂ…вЂќ Why fish? We need action!вЂќ Bong remembers. Bong and his cinematographer loved that shot. That day, he managed to save one scene, the moment when a train guard guts a fish in front of the rebels as a show of intimidation. Without the dialogue, the movie became incoherent character motivation made no sense. вЂњLetвЂ™s cut out the dialogue.вЂќД«ong was at a loss: Cutting 25 minutes felt like taking out a major organ. HeвЂ™s a mesmeric storyteller with killer comic timing, and he does a bombastic Weinstein impression - all hot air and hand gestures - punctuated by his wild, authorial hair.Д«ong remembers one fateful meeting in Tribeca when he and Weinstein watched the movie together. I am so proud of my edit!вЂќ Bong is a commanding presence, six feet tall and honey-bear shaped. IвЂ™ve never done an edit I didnвЂ™t want to do.вЂќ And yet, he says, вЂњWeinsteinвЂ™s nickname is вЂHarvey Scissorhands,вЂ™ and he took such pride in his edit of the film. вЂњIвЂ™m someone who until that point had only ever released the вЂdirectorвЂ™s cutвЂ™ of my films. вЂњIt was a doomed encounter,вЂќ Bong tells me over breakfast one morning in Los Angeles. He wanted more action, вЂњmore Chris Evans.вЂќ The Weinstein Company bought the distribution rights in 2012, but instead of giving the film an immediate release date, Weinstein demanded changes. But despite its blockbuster appeal, SnowpiercerВ languished in limbo in the U.S. It looks like a slick Hollywood action movie with revolutionary themes, depicting a class rebellion set in a sci-fi dystopia led by none other than Captain America himself, Chris Evans. Philosophical questions of artistic integrity in the time of mass consumption. The Korean auteur versus the bullish American. cut of SnowpiercerВ had all the hallmarks of a scene the director might shoot himself. The standoff betweenВ Bong Joon-ho and Harvey Weinstein over the U.S.

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